"Sculpture is the art of the exact decision," wrote Antoine Bourdelle.

In the intimate format of sculpture, this is felt with particular clarity. A small sculpture tolerates no approximation—it exists face to face, almost like an additional living presence in the home. Marble, bisque, porcelain, bronze—its materials, its living flesh; each possesses its own character and beauty.

Such a sculpture is not meant for distance, but for proximity. It coexists alongside—on a table, a console, in a display case. It is precisely on this intimate scale that its true nature is revealed: a form that animates the space and gives it a particular tone—of emotion and sensitivity.

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